This is a quick note to let everyone know that I am taking the bull by the horns and starting up the Radio show and Forum that I’ve been wanting to create for a while now.
So many people ask me if I do podcasts, and I have to tell them, yes, but not yet for AW. Well, that’s changing!
While we dream of Utopia, running a radio show and hosting a forum is not free. It costs money for the licensed platforms even when the daily toil of maintaining each is based on sweat equity.
AW Radio will cover all aspects of the AW raison d’etre including Women’s Sexuality, Women’s Rights, LGBT, Survivors of Abuse, Religious Freedom, Indigenous Rights, Environmental Issues, Healthcare, Anti-Circumcision/Body Autonomy issues, and more.
The AW Forum will provide a safe place for like-minded individuals and orgs to talk about issues, recovery, and more importantly, foster solutions to put into practice. The Forum will be membership-based (to keep out the crazies) at $14.95/year, with a portion of the proceeds being donated annually to 2 organizations as voted on by the Forum community.
For more info on the Radio show as well as the Forum, visit my GoFundMe page I’ve started. Donations are securely processed by either WePay or PayPal (your choice!).
Be sure to check out the REWARD that accompanies each donation level, and make a TAX-DEDUCTIBLE donation if you can.
I think I’ve realized a few things I can work on to make my experiences with the new approach better…
1. Love my moan. Reading a chat of 7 Adepts talking about their experiences, the lone female mentioned that once she started loving her moan, the feelings intensified. I know I think too much about the sound I’m making — that’s my singer training wanting to analyze what I’m doing and feeling. I also noticed the last time I had a solo sex session that I was holding my sound in — I was breathing, but not making sound.
I was never a “screamer” before — ’cause that’s bad for the voice and all (and I guess the sex wasn’t good enough for me to have anything to scream about). But I remembered a voice mentor once saying in regard to glottal stops (the hard, hit sound of some words that start with vowels, or when you stub your toe, and you have a sudden exclamation/belly crunch sound of “OH!”), that if the voice weren’t supposed to do it, it wouldn’t, but it can, so it can’t be all bad. I was holding my sound in because I was worried about the neighbors hearing. I have started doing my solo sessions during the day when none of them is home and I can be as loud as I want, but this time was late at night and so I was self-conscious. The O was fabulous, though.
So I will try not to be self-conscious even when the neighbors ARE home at night time because I really started enjoying the sounds I’ve been making on the way to the big O’s and afterward with the smaller O’s. At first, I thought the sounds were a little cheezy, but then I realized I was being judgmental.
Sometimes the sounds are low and rich, or quick and panting, but other times, my arousal sounds are soft, higher-pitched moanings. And the sound I’ve grown accustomed to emitting just as orgasm starts and through the orgasms is a straight-up I AM WOMAN, HEAR ME ROAR!!!! kind of scream / howl that I actually think is kinda groovy. (Hope my neighbors dig it.)
I’ve even noticed that during the height of orgasm, my eyes fly open — which is totally weird! It’s almost like some part of me wants to see what I look like during such an incredible orgasm. (Remind me to hang a mirror over my bed.)
2. Schedule my practice & solo sex sessions. I really have to plan for my sexual explorations, otherwise it can be a week or more in between, and I can feel the progress I’ve made start to slip away. Or I don’t feel I’m progressing to the energy orgasms & feelings as described by other adepts. I need to work more on moving energy around, but maybe because I’m self-conscious of my sound (either my own judgment of it or the fear of disturbing neighbors at night time) creates an energy block? After all, the whole point of the key sound is to integrate breathing / sound with arousal to achieve the legendary multiple orgasms.
3. Relax more. From the ambiance of the room, to just being comfortable, to knowing I have the time it will take to do the protocol as well as lay around to experience / feel any after effects — all of this makes the session satisfying for me. Taking shortcuts on any of these seems to affect my experience… ugh….
And of course, I can’t get back on my real practice schedule until after the New Year, but I’m reading and absorbing info and enjoying echoes (and maybe some practice in the wee hours of the morning when everyone else is asleep!) till Grandfather Time turns the clock forward.
*** Read Part 2. ***
Aroused and moaning,
An author and creator of oracle cards, Baron-Reid is billed as having “facilitated hundreds of her popular seminars and workshops on developing intuition.” She also wrote the books The Map: Finding the Magic and Meaning in the Story of Your Life and Remembering the Future: The Path to Recovering Intuition.
Baron-Reid is firmly entrenched in the 21st century New Age movement, so this CD may not resonate immediately for those who are more logically-minded. However, without knowing much else about her and by listening to the CD, I can sense Baron-Reid is adept at helping clients attune to their inner selves. After all, loosening the hold (and reliance) on the logical mind is part of the inner journey we all encounter as we grow spiritually and energetically.
“Chakra” is Sanskrit for “wheel” and refers to the philosophy of seven energy centers that correspond to seven body centers from the tailbone to the crown of the head. As with Chakra or Kundalini training, Journey Through the Chakras begins with the first chakra and its correspondences, progressing through each energy center. The vivid guided meditation is narrated by Baron-Reid herself, over original music by Mars Lasar. The CD concludes with an original song written and sung by Baron-Reid.
The CD has its flaws, but overall, I do think it has merit for those wanting an indirect lesson in learning about the chakras. It is less than an hour long, and yet doesn’t feel that long.
The very aspects of the CD that some listeners find endearing, others will find annoying: repetition of certain phrases, nature sounds, breathing “ahhhhhh” sounds at various intervals, and New Agey music underscore. Oddly, the more I listen to the CD, the less some of these elements stand out, and therefore the less they annoy me.
Baron-Reid is clearly not a voice over artist. Her voice has a rasp to it that some find to be sultry, but I do not — I think she needs to be seen by a speech pathologist. She also breathes in strange places, and her voice gives out at times, which are clear indications of weak breath support. Her glottal stops on words beginning with vowels were truly annoying to me.
The audio engineer did not edit the voice over track to current industry standards — you can hear Baron-Reid’s mouth clicks, lip smacks, numerous plosives, and weird breathing. **Note: I am being extremely picky here. Some people find her voice to be “sultry” and “husky,” lending a sensual feel to the meditation. But since this is an audio review, I have to lay it all on the table for the potential listener. Your mileage may vary.**
It’s too soon to tell if I will ever really love this CD, but I do think it has some valuable properties. I have found myself plugging in to listen to it as I lay on my bed, wanting to let my mind wander a bit. I do not focus on picturing the journey as she describes, but rather what I want to think about, and yet, I occasionally find myself suddenly visualizing the scene she is currently describing.
In the few days I’ve had the CD, I’ve listened to it perhaps 5 to 7 times. Each night I’ve had a strange dream or series of dreams involving my current life circumstances (which I never dream about), people I know (I almost never dream about people I actually know), situations I know I need to resolve, getting help (from people I never thought would be willing to help me), and other “strange”/never-dreamt-that-before types of dreamscapes. Interesting, indeed.
How to Use this CD:
Like most “pursuits” that are spiritual or energy based, you cannot actually pursue them. Your subconscious self has to be open to receiving information which in turn allows you to experience and integrate needed information into your psyche and your subconscious. Only half listening to this CD brought me dreams I don’t think I would have had otherwise. I can only wonder “what dreams may come” if I actually did the meditation/visualization.
Perhaps I will revisit this review in a month’s time. I am not sorry I bought the CD — I generally despise guided meditations and I’ve never bought one before now, so the fact that I actually bought this and keep listening to it must mean something positive for its effect on me.
Aroused and meditating,